According to Benjamin Meadows (see below), Princess Margaret returned to the 21 Club on Chesterfield Gardens, at least once more after her visit in 1949 when she was 19 years of age!

This is before Harry Meadows became the owner of the Twenty-One Room Club, but his brother had been the Secretary for 17 years, which turns the clock back to about the year 1940. So who did Harry Meadows buy the Club from in 1961? Clearly there was already a long established connection between the person and the Meadows family.

If Harry Meadows owned all three adjoining properties, then his parent company not only employed Dick Moorcraft, but it let portions of 6 Chesterfield Gardens to different companies, and this included those that were related to Radio Caroline, unless it leased the entire premises to a third party and they sub-let the premises. What is certain is that Planet Productions Limited was not the company that let and sub-let the property, since Planet Productions Limited was not even legally registered to do business in the United Kingdom, and at no time was there a subsidiary UK company called Caroline Sales Ltd.

It is also apparent that when Radio Caroline moved into 6 Chesterfield Gardens, it had no business plan in place, because it seems, whatever the purpose had been behind the creation of Radio Caroline as a spin-off from Radio Atlanta, its purpose had already been achieved when a lease was entered into to occupy 6 Chesterfield Gardens. The documentation admitting this surprising situation has been Online for some time, and it reflects the reasons behind the total chaos that ensued which was then made worse by the arrival of Radio London.

Because the story of how two different radio stations called 'Atlanta' and 'Caroline' suddenly appeared at 6 Chesterfield Gardens which had been identified as 'Caroline House', and because the people who moved into that building did so to represent both stations under one call sign called 'Caroline'; tracing the history of events at that address is one way to establish a true timeline of what occurred at that address between the years of 1959 and 1968.

Why 1959 and 1968?

Because we know for a fact and can prove for a fact that in 1959, number 6 Chesterfield Gardens was the Head Office of the long-established Indestructible Paint Company Ltd.

We also know that the Indestructible Paint Company Ltd was bought by another company which added the Indestructible Paint Company Ltd., and another company making printer's inks, to its growing roster of companies. But because their was no longer a need for 6 Chesterfield Gardens after 1960 when the buy-out of Indestructible Paint Company Ltd was completed (we know these details from company records), then the building seems to have become vacant after that date.

Our problem has been in finding authentic documents contemporary with events that took place in the dead-end street known as Chesterfield Gardens in order to establish who was at number 6 before it was further identified in 1964 by the addition of the words "Caroline" and "House" (not 'Radio Caroline House', but just 'Caroline House'.)

It has now come to light via photographic and documentary evidence, that immediately next door to number 6 Chesterfield Gardens in 1964 was number 7 Chesterfield Gardens. For a time it seemed as though the numbers in sequence next door to number 6 were even numbers only, and therefore number 8 was next door to number 6, but we now know that number 7 was next door to number 6, and that number 8 was next door to number 7.

We are being as meticulously precise as we can, because we are trying to follow the rules established in courts of law where foundational evidence must be produced to prove connectivity of locations and events. This is the reason why you may find this process tedious, but it is necessary to totally destroy the mythology that has been both created and then aided and abetted by people such as Paul Rusling who has now (August 9, 2021) been cited as a reference in a totally fake history released within an eponymous podcast owned by the 'History Channel' TV enterprise.

This is why we have a base line of 1959 for the Home (Head) Office of the Indestructible Paint Company Ltd., as number 6 Chesterfield Gardens, and their vacating of that property in 1960 after absorption as a result of a take-over. The question is what happened between 1960 and 1964 when new tenants moved in to number 6 and caused the words "Caroline" and "House" to be painted outside?

For an answer we have turned to number 8 Chesterfield Gardens which is next door to number 7 Chesterfield Gardens (which is next door to number 6 Chesterfield Gardens.) In 1962, we know that number 8 Chesterfield Gardens was occupied by the '21 Club' which was owned by Harry Meadows who also owned 'Churchills', another club on New Bond Street that was operated as part of one business enterprise by Harry Meadows, but each club had different functions within his business plans.

We also know that Harry Meadows plans were greatly influenced by the UK 'Betting and Gaming Act' which was passed as an Act of Parliament on September 1, 1960. This came into effect on January 1, 1961 and legalized additional forms of gambling in the United Kingdom. As a result of this Act, American Mafia members from the Italian Cosa Nostra and Jewish equivalent, began to move into London. In turn, their arrival from New York and New Jersey attracted London gangs such as the Kray Twins who immediately sought to affiliate with them. These gangland connections also impacted upon the activities at 6 Chesterfield Gardens, and not all of them were directly connected to offshore broadcasting!

So who was at number 7 Chesterfield Gardens?

A lot of different companies from steel fabricators to Martini and Rossi Ltd and a pimple cream company that advertised a lot, and who were still there in November 1964! But it looks as if Harry Meadows had already bought the adjoining number 7 and number 6 Chesterfield Gardens for his 1962 announced 'Meadows Hotel', so all of these companies would also be tenants of Harry Meadows.

That would mean that whoever leased 6 Chesterfield Gardens was dealing with Harry Meadows, and this helps to explain why Harry Meadows was hired at the location of 'Churchills' on New Bond Street, because that is where Harry Meadows had his office. But look again at the 'Maintenance Man' want ad that we found in the newspaper (reproduced earlier in the Dick Morecraft editorial). That ad is for the '21 Club', which was also owned by Harry Meadows. So from memory, Harry recalls going to 'Churchills' on New Bond Street and then, within an hour of being hired, he winds up at 6 Chesterfield Gardens.

However, by at least 1962 when he made his announcement about the 'Meadows Hotel', Harry Meadows seems to have become the owner of a strip of connecting addresses on Chesterfield Gardens. One of them was 8 Chesterfield Gardens, home of the '21 Club'. Harry may indeed have gone to 8 Chesterfield Gardens as the advertisement requests, and then someone told him to report to their New Bond Street office where he was actually hired. From there he was sent to 6 Chesterfield Gardens which was just becoming occupied by the people connected to 'Radio Caroline', and there were probably a number of problems with the building that needed to be addressed because it had been vacated by the previous owner.

This scenario makes sense of Dick Morecraft's memory recall and the documentation we have been able to uncover about the 'Meadows Hotel' plans for numbers 8, 7 and 6 Chesterfield Gardens. When Dick Morecraft was dispatched from New Bond Street to Chesterfield Gardens, Dick Morecraft was continuing his employment with Harry Meadows. Harry does not say that it was the only location that he worked at, and therefore he could have been a kind of peripatetic caretaker but working exclusively for Harry Meadows.

We do know for a fact, both from what Dick Morecraft had to say, and from other accounts, that after the people associated with 'Radio Caroline' had moved out, other tenants unrelated to 'Radio Caroline' were still there. We also know that Ronan O'Rahilly had set up own business at his London flat, before reregistering it at 6 Chesterfield Gardens, and after the Marine Offences Act became law, Dick Morecraft was still working at 6 Chesterfield Gardens, because his employer was Harry Meadows!

Everything points to Harry Meadows being Dick Morecraft's employer because Harry Meadows owned 6 Chesterfield Gardens! Therefore, we will be examining the life and times of Harry Meadows in greater detail.

We also look closely at who some of the other tenants were between the years of 1964 and 1967 at 6 Chesterfield Gardens. It is the connectivity with Harry Meadows and his associates that creates a trail that can still be found and explored, and that trail leads to the people who were really behind Radio Caroline!

Like journalists on CNN and BBC, and social contributors to Wikipedia writing about past events, the world of intelligent human beings seems to have been beheaded by Taliban-type idiots. History is a joke to most lawyers; politicians and yes, journalists (which includes broadcasters.)

We, (our trio) are not historians, and we view that term as an insult. We are YesterTecs who work according to a YesterCode in a manner similar to a forensic investigator reexamining a cold-case crime.

Of recent insult to the intelligence of everyone is the 'History Channel'. It has produced a podcast with the help of some people who should know better, but they have all caved-in to requests for help in producing more mindless-brainwashing about the past!

Some like their contributor Paul Rusling are so full of their own self-aggrandizing puffery, that their vanity clouds their ability to distinguish right from wrong. In this they are supported by folks at places like the 'History Channel', because with their name in their credits, these writers of rubbish think that they can get away with it, because no one, except us, will call them out.

Rusling engaged in intellectual theft which he then distorted to self-publish his own fake account of the past but some are like Ray Clark who interview people by asking soft-ball questions which the vanity-struck interviewee then twists into their own garbled account of past events that never happened. But Ray Clark does not correct this nonsense, and as a result, he has now built up a large volume of basic crap spun from mind manipulation to recall events that never happened, or if they happened at all, they occurred in such a way that they have little in common with truth and reality.

All of their rubbish is used to promote and build-upon stories once spun by a deceased fraudster known as Ronan O'Rahilly, and it is then channeled to further the hoax that 'Radio Caroline' exists. But 'Radio Caroline' died - for all time on the very occasion that the 'History Channel' is supposedly commemorating with its own ridiculous podcast!

On the other hand, we have been, and we will continue to pull-apart events of yesterday, and then microscopically analyse them according to our YesterCode of E+O3X to see where the story about 'Radio Caroline' really began. We already know when it ended and we also know why it ended as a result of governmental legislation at midnight on August 14, 1967. What we are now pin-pointing in detail is why it began, and how it began, and that story has yet to be told by anyone, anywhere, at anytime.

On this date back in 1967, the end came for 'Radio Caroline', whatever 'It' was, because "It' certainly had not been a company, nor had 'It' been a radio station in the traditional sense.

'It' had been a constantly changing myth that came to be surrounded by gangsters and lies, but 'It' had been portrayed to the world as innocence and frivolity.

That is how this story began, and that is how the life of 'It' ended when 6 Chesterfield Gardens in London, England was legally severed from the Dutch operation of two ships, one anchored off the Isle of Man and the other one anchored off the coastline of southeast England, and both had used the call sign of 'Radio Caroline'.

The new law brought the curtain down on the southern ship which had been owned by Texans, and that ship was now under the control of the Dutch tug and salvage company which maintained the vessel. However, one of the two UK disc jockeys who remained on board, tried to proclaim that the radio ship had become a international new venture.

'It' hadn't.

​'It' was now bobbing around without funding and without a purpose.

Off the Isle of Man, the other ship had been legally cut off from a former financial base in England, and the wealthy individuals who once had a purpose for the vessel, had resigned before the law came into effect. That is except for on man who was playing a game by waiting for the hammer to fall, but who had pre-paid for airtime to promote his record company venture that had ties to the 'Jewish Mafia' in New York. UK officials tried to pin him down but they did not succeed, and soon, there would be no point in trying after both ships were towed away after maritime debts went unpaid.

Some, who did not understand the legal relationship between the Isle of Man and the Crown corporation sole that rules the United Kingdom, caused a very brief bureaucratic delay by allowing a legal supply-based connection between the northern ship and the Isle of Man to remain in place. But that is all that this was, and one month later, the British Crown issued Order in Council that brought into force the same legislation of August 14, 1967 which had applied to the United Kingdom.

But the dreamer and schemer named Ronan O'Rahilly, the man who had been hired as a 'patsy' to divert attention from the people who originally created the venture now ended, well, he came to believe in his own lies and the fantasy stories. Some came to believe that he was a wonder-worker who had defied the British government and got away with it.

But Ronan O'Rahilly was out of his depth, and even his family in Ireland were not supporting his daydreams. In the end, after death, his fans managed to con the priest who staged Ronan O'Rahilly's memorial service to repeat a condensed version of the same lies that Ronan O'Rahilly had told about himself, but the priest did not write that script. The believers in mythology did.

Just a few months later on March 6, 1968, after the new law came into effect in both the UK and Isle of Man, two Dutch tugs came out from the Netherlands and towed both ships into port, and that was end of the 'Radio Caroline' fantasy. Nothing had been achieved because even the BBC took its blueprint for BBC Radio 1 from the Texan formatted offshore station called Radio London, and that station had closed down on August 14, 1967, just hours before the new law came into effect.

But the O'Rahilly mythology continued, and O'Rahilly was forced to turn repeatedly to the world of con men and gangsters in attempts to make his fantasy come alive. Others used his name and the name of 'Radio Caroline', but they had no connection to any venture that had gone before under that station call sign.

This Blog and our companion Blog are now stripping away the lies, and for the first time we are explaining what really happened after a ship began test broadcasting under the call sign of 'Radio Caroline' on Friday, March 27, 1964.

This Blog continues ....

It is now coming to light that merely mentioning 'Radio Caroline' and the occupation of 6 Chesterfield Gardens from 1964 to 1967, is part of a deceitful game of smoke and mirrors that conceals the true identity of what 'Radio Caroline' really was. This is a concealed story that no one has ever addressed before, but it is the story that unravels the real and true explanation of what 'Radio Caroline' was during those years of its brief existence before it was killed off for all time on August 14, 1967.

We are now dissecting the entire time frame between 1964 and 1967, and we have begun to uncover an amazing history that also shines a light on the true story, the real story, and not the fake story claimed to be real and true, about the origin and make-up of 'Radio Caroline'.

There are three main phases, and they all relate in this sequence, to 6 Chesterfield Gardens.

The first one begins in 1960 with the take-over of the Indestructible Paint Company Limited whose headquarters had been at 6 Chesterfield Gardens. The premises next door were occupied by the 21 Club, and it was owned by the same group of people who also owned the club known as Churchills on New Bond Street.

It was after Indestructible Paint Company Limited vacated 6 Chesterfield Gardens that the owners of 8 Chesterfield Gardens (21 Club), came up with an ambitious plan for its own premises, plus two others adjoining it. That would include 6 Chesterfield Gardens.

But there was a hitch.

This vision for the three properties required planning permission, and at the time (1962) it was thought that the owners of 8 Chesterfield Gardens were unlikely that they would get it.

What exactly transpired between 1962 and 1964 we are now in the process of documenting, but it suggests that the owners of 8 Chesterfield Gardens bought 6 Chesterfield Gardens in anticipation of their expansion plans. Because if they hadn't, there was no way they would have drawn the attention of the press to their modification of a property they did not own.

If the owners of the unoccupied former home of the Indestructible Paint Company Ltd thought that 6 Chesterfield Gardens was suddenly going to shoot up in value, they would have known that its selling price would also increase.

But the owners of the 21 Club were the kind of shrewd wheeler-dealers who did not suffer fools lightly, and it suggests that they had quietly bought 6 Chesterfield Gardens when no one else wanted it.

Why is this important?

Because whoever 'Radio Caroline' was (in terms of the banking people using 'Radio Caroline' as a blanket name), they would be dealing with the owners of the 21 Club. The work resume of Dick Morecraft as Maintenance Man, suggests that this is exactly what happened!

Next come the events of December 1965, because that is when it has been stated that Project Atlanta Ltd was taken over by Planet Productions Limited, even though the financial story behind both companies does not support such a scenario. But in 1966, a number of additional people began moving into 6 Chesterfield Gardens, and some of them had connections to another property at another address that was also referred to as 'Caroline House'.

Attached to these new tenants (there were several), was a man of money whose last name was 'Shaw'.

If you think you have heard that name before, you have: in Ian Cowper Ross' 1990 novel which refers to a 'Jim Shaw' who did not exist! But in 1991, on BBC-TV, Ian Cowper Ross claimed that 'Jim Shaw' was his "Daddy", whose real name was Charles Edward Ross.

Now steps into that mire a fool who is also an intellectual thief, and his name is Paul Alexander Rusling. Without any proof whatsoever, Rusling claimed in his 'bible', that the friends of Charles Edward Ross always called him 'Jimmy'. From that nonsense came the phantom character of 'Jimmy Ross'.

But now we have stumbled across a real money man with ties to 6 Chesterfield Gardens who was not in any way linked biologically or otherwise to Ian Cowper Ross, and whose first name was neither 'Jim' nor 'Jimmy', but whose surname is Shaw. The true identity of this Mr Shaw in relation to events at 6 Chesterfield Gardens,  is now being documented by us! We already know a lot about this person and soon, you will too!

This is the first hint of why Ian Cowper Ross invented the name of 'Paul Shaw' for himself in his 1990 novel.

But there is also a third phase involving 6 Chesterfield Gardens and it is about its occupation following the midnight hour on August 14, 1967, when it was business as usual for some of the occupants, and we don't mean the photographer at the very top of the building! This also points to the fact that reading the word 'radio' into the front of 'Caroline House', is a mistake that leads to a trap created by a bogus recital about the existence of 'Radio Caroline' from 1964 to 1967, after which date it was killed off for all time.